<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-19445495</id><updated>2011-07-07T13:42:02.493-07:00</updated><title type='text'>MORE POETRY READ</title><subtitle type='html'>List of poetry or poetry-related books that I've read beyond Galatea's Poetry Library (see link below).  This listing began Nov. 30, 2005.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://morepoetryread.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/19445495/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://morepoetryread.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-19445495.post-113333854908367982</id><published>2009-11-11T10:02:00.000-08:00</published><updated>2009-11-10T17:32:36.534-08:00</updated><title type='text'>CONTINUOUSLY-UPDATED LIST</title><content type='html'>&lt;strong&gt;Poetry Collections and other Books by Poets&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;In Alphabetical Order by Author/Editor:&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;POETRY COLLECTIONS:&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;)    )    )&lt;/em&gt; by Samar Abulhassan (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;INTERVENING ABSENCE&lt;/em&gt; by Carrie Olivia Adams (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IN NO ONE'S LAND&lt;/em&gt; by Paige Ackerson-Kiely (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TO THE BONE&lt;/em&gt; by Sebastian Agudelo (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE LOST COUNTRY OF SIGHT&lt;/em&gt; by Neil Aitken (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;POEMS IN CONVERSATION AND A CONVERSATION &lt;/em&gt;by Elizabeth Alexander &amp; Lyrae Van Clief-Stefanon (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ILLITERATE HEART&lt;/em&gt; by Meena Alexander (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FILAMENT &lt;/em&gt;by William Allegrezza (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE SPLINTERED FACE: TSUNAMI POEMS &lt;/em&gt;by Indran Amirthanayagam (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LIGHT FILLING MY BONES&lt;/em&gt;, poems by Dorothy B. Anderson with cut-paper illustrations by Donna Bruhl (gr)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HOME AMONG THE SWINGING STARS: COLLECTED POEMS OF JAIME DE ANGULO&lt;/em&gt;, Ed. Stefan Hyner w/ essay by Andrew Schelling (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MAKE LONELINESS &lt;/em&gt;by J. Reuben Appelman (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CIVILIZATION &lt;/em&gt;by Elizabeth Arnold (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FROZEN ACCIDENT&lt;/em&gt; by Alfred Arteaga (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;COLLECTED POEMS &lt;/em&gt;by Paul Auster (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RESTORATION POEMS &lt;/em&gt;by Ed Baker (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BETTINA COFFIN&lt;/em&gt; by Micah Ballard (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NEGATIVE CAPABILITY IN THE VERSE OF JOHN WIENERS&lt;/em&gt; by Micah Ballard (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SCENES FROM THE SARAGOSSA MANUSCRIPT &lt;/em&gt;by Micah Ballard (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ELEGY &lt;/em&gt;by Mary Jo Bang (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DERIVATIVE OF THE MOVING IMAGE &lt;/em&gt;by Jennifer Bartlett (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THEORIES OF FALLING&lt;/em&gt;, poems by Sandra Beasley (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CHANCE&lt;/em&gt; by Daniel Becker (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SHE'S MY BEST FRIEND&lt;/em&gt; by Jim Behrle (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HAVE A GOOD ONE&lt;/em&gt; by Anselm Berrigan (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;GLAD STONE CHILDREN&lt;/em&gt; by Edmund Berrigan (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AMERICAN MASTER&lt;/em&gt; by Raymond L. Bianchi (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE SELECTED POEMS OF HAMSTER &lt;/em&gt;by Carlos Blackburn (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE BEGINNING AND END OF THE SNOW&lt;/em&gt;, poems by Yves Bonnefoy, translated by Alan Baker (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE STARS ON THE 7:18 TO PENN&lt;/em&gt; by Ana Bozicevic (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MORNING NEWS&lt;/em&gt; by Ana Bozicevic-Bowling (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PIONEERS IN THE STUDY OF MOTION &lt;/em&gt;by Susan Briante (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A STRANGER'S TABLE&lt;/em&gt; by Anne Brooke (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;908-1078&lt;/em&gt;, poems by Brandon Brown (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MY LIGHTWEIGHT INTENTIONS&lt;/em&gt; by Pam Brown (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PEEL ME A ZIBIBBO&lt;/em&gt; by Pam Brown (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WASTE&lt;/em&gt; by Thierry Brunet (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;POP JUNK&lt;/em&gt; by Jeff Karl Butler (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SONG OF A LIVING ROOM&lt;/em&gt; by Brigitte Byrd (GR)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.ubu.com/ubu/pdf/byrne_sos.pdf"&gt;&lt;em&gt;SOS POETRY&lt;/em&gt;&lt;/a&gt; by Mairead Byrne&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE LISTENING LOST&lt;/em&gt; by Mackenzie Carignan (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ALWAYS A RECKONING&lt;/em&gt; by Jimmy Carter (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EMPLUMADA &lt;/em&gt;by Lorna Dee Cervantes (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CIRCLE&lt;/em&gt; by Victoria Chang (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE BRITTLE AGE and RETURNING UPLAND&lt;/em&gt; by Rene Char, Trans. by Gustaf Sobin (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LOBSTER WITH A DIRTY BASTARD &lt;/em&gt;by Michael Cirelli (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AND HOW TO END IT &lt;/em&gt;by Brian Clements (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BALLISTICS &lt;/em&gt;by Billy Collins (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FOR GIRLS &amp; OTHERS &lt;/em&gt;by Shanna Compton (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE FRANK POEMS&lt;/em&gt; by CAConrad with German translations by Holger with assistance from Jonas Slonaker and Sigrid Mayer (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE MARVELOUS BONES OF TIME &lt;/em&gt;by Brenda Coultas (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A READING, 18-20&lt;/em&gt; by Beverly Dahlen&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE CURVATURE OF BLUE &lt;/em&gt;by Lucille Lang Day&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE ANGER SCALE &lt;/em&gt;by Katie Degentesh (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THIRD BODY &lt;/em&gt;by Michel Delville, Trans. by Gian Lombardo (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ACTS OF LIGHT&lt;/em&gt;, poems by Emily Dickinson &amp; paintings by Nancy Ekhom Burkett (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DO NOT AWAKEN THEM WITH HAMMERS&lt;/em&gt; by Lidija Dimkovska, Trans. from the Macedonian by Ljubica Arsovksa &amp; Peggy Reid (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TERRA LUCIDA&lt;/em&gt; by Joseph Donahue (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WEAVING THE LIGHT&lt;/em&gt; by Mary Ruth Donnelly (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LEGITIMATE DANGERS: AMERICAN POETS OF THE NEW CENTURY&lt;/em&gt;, Coedited by Michael Dumanis &amp; Cate Marvin&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE ROUTE &lt;/em&gt;by Patrick Durgin and Jen Hofer (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE ANGELS OF BREAD &lt;/em&gt;by Martin Espada (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HARLOT &lt;/em&gt;by Jill Alexander Essbaum (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE RUSSIAN VERSION&lt;/em&gt; by Elene Fanailova, Trans. by Genya Turovskaya &amp; Stephanie Sandler  (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HOW TO PAINT SUNLIGHT, NEW POEMS &lt;/em&gt;by Lawrence Ferlinghetti (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FRAIL-CRAFT&lt;/em&gt; by Jessica Fisher (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE HAPPINESS EXPERIMENT &lt;/em&gt;by Lisa Fishman (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CARBON &lt;/em&gt;by Michael Ford (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NECESSARY STRANGER&lt;/em&gt; by Graham Foust (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FINALMENTE: BRAZILIAN POEMS &lt;/em&gt;by Hugh Fox, translations by Glenna Luschei (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE CURVATURE OF THE EARTH&lt;/em&gt;, poems by Gene Frumkin and Alvaro Cardona-Hine (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PIECES OF THE SKY &lt;/em&gt;by Greg Fuchs (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THAT TINY INSANE VOLUPTUOUSNESS&lt;/em&gt; by Elisa Gabbert and Kathleen Rooney (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BOX OF LIGHT / CAJA DE LUZ&lt;/em&gt;, poems by Susan Gardner (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;"DARK TIMES\FILLED WITH LIGHT": A TRIBUTE TO JUAN GELMAN&lt;/em&gt; (Special Issue of &lt;em&gt;The Cafe Review&lt;/em&gt;), poetry/visual art/reminiscences Edited by Paul Pines (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;COLLECTED POEMS OF ALLEN GINSBERG 1947-1997 &lt;/em&gt;(L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A PANIC THAT CAN STILL COME UPON ME&lt;/em&gt; by Peter Gizzi (GR) &lt;br /&gt;&lt;br /&gt;&lt;em&gt;TO AFTER THAT (TOAF)&lt;/em&gt; by Renee Gladman (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NEWCOMER CAN'T SWIM &lt;/em&gt;by Renee Gladman (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HOODLUM BIRDS&lt;/em&gt; by Eugene Gloria (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE SEVEN AGES &lt;/em&gt;by Louise Gluck (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ACOUSTIC EXPERIENCE&lt;/em&gt;, poems by Noah Eli Gordon (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Selected Poems 1966-2006&lt;/em&gt; by Carl A. Gottesman (manuscript form)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EROSION &lt;/em&gt;by Jorie Graham (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TERMINAL HUMMING &lt;/em&gt;by K. Lorraine Graham (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE LAST 4 THINGS&lt;/em&gt; by Kate Greenstreet (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CASE SENSITIVE&lt;/em&gt; by Kate Greenstreet (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LEARNING THE LANGUAGE &lt;/em&gt;by Kate Greenstreet (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THIS IS WHY I HURT YOU &lt;/em&gt;by Kate Greenstreet (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ALL OF IT SINGING: NEW AND SELECTED POEMS &lt;/em&gt;by Linda Gregg (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;APRIL TO THE POWER OF THE QUANTITY PYTHAGORAS TIMES NOW: A SELECTION OF MATHEMAKU &lt;/em&gt;by Bob Grumman (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TINDERBOX LAWN&lt;/em&gt; by Carol Guess (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;gagarin street&lt;/em&gt; by Piotr Gwiazda (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE NARROW ROAD TO THE INTERIOR &lt;/em&gt;by Kimiko Hahn (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HAIKU NOT BOMBS &lt;/em&gt;by Collectivo Haiku (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WITHOUT &lt;/em&gt;by Donald Hall (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NEVER CRY WOOF&lt;/em&gt;, poems by Shafer Hall w/ illustrations by Amanda Burnham (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IN SEARCH OF SMALL GODS&lt;/em&gt; by Jim Harrison (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HOW WE BECAME HUMAN: NEW AND SELECTED POEMS 1975-2001 &lt;/em&gt;by Joy Harjo (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FIELD GUIDE&lt;/em&gt; by Robert Hass (L)&lt;br /&gt;&lt;em&gt;TIME AND MATERIALS &lt;/em&gt;by Robert Hass (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AFIELD&lt;/em&gt;, poems by Anthony Hawley (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CaGeD&lt;/em&gt;, poems by Jared Hayes (GR)&lt;br /&gt;&lt;em&gt;RecollecTed&lt;/em&gt;, poems by Jared Hayes (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FIELD WORK&lt;/em&gt; by Seamus Heaney (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;GROUNDED &lt;/em&gt;by George Held (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SKIN TAX &lt;/em&gt;by Tim Z. Hernandez (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CALLS FROM THE OUTSIDE WORLD&lt;/em&gt; by George Herson (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AND AENEAS STARES INTO HER HELMET&lt;/em&gt; by Tiffany Higgins (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LIVING WILL &lt;/em&gt;by David Hilton (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AFTER &lt;/em&gt;by Jane Hirshfield (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ALL THAT'S LEFT &lt;/em&gt;by Jack Hirschman (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DANCE DANCE REVOLUTION &lt;/em&gt;by Cathy Park Hong (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HEALING HEART&lt;/em&gt; by Gloria Hull (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LETTERS TO YESENIN &lt;/em&gt;by Jim Harrison (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SUBSISTENCE EQUIPMENT&lt;/em&gt; by Brenda Iijima (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ANIMATE, INANIMATE AIMS &lt;/em&gt;by Brenda Iijima (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;INVERSE SKY &lt;/em&gt;by John Isles (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;from SOMEDAY I'LL BE SITTING IN A DINGY BAR&lt;/em&gt;, poems by Hwang Jiwoo, translated by Scott Warner and Young-Jun Lee (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LYRIC POETRY AFTER AUSCHWITZ&lt;/em&gt;, chap by Kent Johnson (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DOING SEVENTY&lt;/em&gt;, poems by Hettie Jones (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SHADOW MOUNTAIN&lt;/em&gt; by Claire Kageyama-Ramakrishnan (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FALLING INTO VELAZQUEZ&lt;/em&gt;, chao by Mary Kaiser (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RAPID DEPARTURES / PARTIDAS RAPIDAS&lt;/em&gt;, poems by Vincent Katz,translations into Portuguese by Regina Alfarano and art by Mario Cafiero (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AFTER THE POISON&lt;/em&gt; by Colin Kelley (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CONSTANCE &lt;/em&gt;by Jane Kenyon (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TODAY I WROTE NOTHING: THE SELECTED WRITING OF DANIIL KHARMS&lt;/em&gt;, Ed. and Trans. by Matvei Yankelevich (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WOW WOW WOW &lt;/em&gt;by Kevin Killian (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;GARNET LANTERNS&lt;/em&gt; by Sally Rosen Kindred (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE GOOD CAMPAIGN &lt;/em&gt;by Amy King (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ONE ARROW&lt;/em&gt;, A Flim Forum Press anthology featuring Brandon Shimoda, Thom Donovan, Jonathan Minton, Adam Golaski, Lori Anderson Moseman, Katie Kemple, Christopher Fritton, Eric Gelsinger, Jacqueline Lyons, John Cotter, Jeff Parris, Michael Ives, Jaime Corbacho, Matthew Klane, Pierre Joris and Aaron Lowinger, Edited by Matthew Klane and Adam Golaski (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DRUNK BY NOON &lt;/em&gt;by Jennifer L. Knox (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SUNNY WEDNESDAY &lt;/em&gt;by Noelle Kocot (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TYPICAL GIRL&lt;/em&gt; by Donna Kuhn (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE COLLECTED POEMS &lt;/em&gt;by Stanley Kunitz (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NEIGHBOR &lt;/em&gt;by Rachel Levitsky&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LETTERS TOWARD JIM&lt;/em&gt; by Matthew Langley (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TOURMALINE, &lt;/em&gt;poems by Dorothea Lasky (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AWAKE &lt;/em&gt;by Dorianne Laux (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FACTS ABOUT THE MOON&lt;/em&gt; by Dorianne Laux (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE HEAVEN-SENT LEAF&lt;/em&gt; by Katy Lederer (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MENTAL COMMITMENT ROBOTS&lt;/em&gt;, poems by Sueyeun Juliette Lee and collages by Brenda Iijima (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IMAGO &lt;/em&gt;by Joseph Legazpi (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HARD WORDS AND OTHER POEMS &lt;/em&gt;by Ursula K. Le Guin (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WHAT THE FORTUNE TELLER DIDN'T SAY&lt;/em&gt; by Shirley Geok-lin Lim (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;POLYTHEOGAMY&lt;/em&gt;, poems by Timothy Liu and paintings by Greg Drasler (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;YOUR TEN FAVORITE WORDS&lt;/em&gt; by Reb Livingston (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NEIGHBOR&lt;/em&gt; by Rachel Levitsky&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE EVOLUTION OF A SIGH &lt;/em&gt;by R. Zamora Linmark (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WHAT FEEDS US&lt;/em&gt; by Diane Lockward (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE LOST LUNAR BAEDEKER: POEMS BY MINA LOY&lt;/em&gt; edited by Roger L. Conover (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TWENTY-ONE AFTER DAYS &lt;/em&gt;by Lisa Lubasch (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE MCSWEENEY'S BOOK OF POETS PICKING POETS &lt;/em&gt;Edited by Dominic Lumford (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IN DANGER&lt;/em&gt;, poems by Suzanne Lummis (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SALT LICK: A RETROSPECTIVE OF POETRY &lt;/em&gt;by Glenna Luschei (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SEEDPODS &lt;/em&gt;by Glenna Luschei (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TOTAL IMMERSION&lt;/em&gt;, poems by Glenna Luschei (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BREAKING THE FEVER&lt;/em&gt; by Mary Mackey (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WAITING FOR SWEET BETTY &lt;/em&gt;by Clarence Major (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SISTE VIATOR&lt;/em&gt; by Sarah Manguso (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NOVALESS I-XXVI &lt;/em&gt;by Nicholas Manning (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;YOU BEING YOU BY PROXY&lt;/em&gt; by Justin Marks (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CITY &lt;/em&gt; by C.J. Martin (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TURNING TO FICTION&lt;/em&gt; by Donna Masini (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WARRIOR FOR PEACE&lt;/em&gt; by Steve Mason (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;JOHANNA POEMS &lt;/em&gt;by Ben Mazer (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LITTLE EASE&lt;/em&gt; by Aaron McCollough (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;OH MISS MARY&lt;/em&gt; by Jim McCrary (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ERNESTA, IN THE STYLE OF THE FLAMENCO &lt;/em&gt;by Sandy McIntosh (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LATE SETTINGS&lt;/em&gt;, poems by James Merrill (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;INSTANTS &lt;/em&gt;by Philip Metres (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RAPTURE &lt;/em&gt;by Susan Minot (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SELECTED POEMS OF GABRIELA MISTRAL&lt;/em&gt;, Translated by Ursula K. Le Guin (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MIDNIGHTS&lt;/em&gt;, poems by Jane Miller and drawings by Beverly Pepper (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FORT DAD&lt;/em&gt; by Stephen Paul Miller (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WORK IS LOVE MADE VISIBLE: POETRY AND FAMILY PHOTOGRAPHS &lt;/em&gt;by Jeanetta Calhoun Mish (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;I HAVE NOT BEEN ABLE TO GET THROUGH TO EVERYONE &lt;/em&gt;by Anna Moschovakis (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ARRIVAL AND AT MONO&lt;/em&gt;, poems by Stephen Motika (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SOLOLUMINESCENE&lt;/em&gt;, poems by Simone Muench and William Allegrezza (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RECYCLOPEDIA: TRIMMINGS, S*PERM**K*T, AND MUSE &amp; DRUDGE&lt;/em&gt; by Harryette Mullen (BCS-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE CASE OF THE LOST OBJECTIVE (CASE)&lt;/em&gt; by Sheila E. Murphy (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HOSTILE &lt;/em&gt;by Heather Nagami (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;JANE, A MURDER&lt;/em&gt;, poetry by Maggie Nelson (B)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SOMETHING BRIGHT, THEN HOLES&lt;/em&gt;, poems by Maggie Nelson (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;COME KANAB, A LITTLE RED SONGBOOK&lt;/em&gt;, poems by Lance Newman &lt;br /&gt;&lt;br /&gt;&lt;em&gt;BY WAY OF&lt;/em&gt;, four-chap collection of poems by Matthew Nienow, Emily Carr, Diana Woodcock and Diana Alvarez (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;KOOL LOGIC / LA LOGICA KOOL &lt;/em&gt;by Urayoán Noel (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CADENZA&lt;/em&gt; by Charles North (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TELEGRAPH &lt;/em&gt;by Kaya Oakes (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CATCH LIGHT &lt;/em&gt;by Sarah O'Brien (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE UNSWEPT ROOM&lt;/em&gt; by Sharon Olds (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE GOOD CITY&lt;/em&gt; by Sharon Olinka (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;a(A)gust&lt;/em&gt;, poems by Akilah Oliver w/ collages by Brenda Iijima (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A TOAST IN THE HOUSE OF FRIENDS&lt;/em&gt; by Akilah Oliver&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BLUE IRIS&lt;/em&gt; by Mary Oliver (L)&lt;br /&gt;&lt;em&gt;LONG LIVES &lt;/em&gt;by Mary Oliver(L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WAITING FOR THE RAPTURE&lt;/em&gt; by Kirby Olson (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;9th &amp; OCEAN&lt;/em&gt; by Kevin Opstedal (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EL TSUNAMI&lt;/em&gt; by Kevin Opstedal (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ENTER MORRIS IMPOSTERNAK, PURSUED BY IRONIES&lt;/em&gt; by Eugene Ostashevsky (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MY ZORBA &lt;/em&gt;by Danielle Pafunda (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CANTAR DE MIO CORMAN&lt;/em&gt; by Lars Palm (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MILK BOWL MOON OVER ST. LOUIS &lt;/em&gt;by David E. Patton (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;OFFICIAL VERSION &lt;/em&gt;by Mark Pawlak (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE NINES &lt;/em&gt;by Christian Peet (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ORIGAMI SHIPWRECK &lt;/em&gt;by Craig Perez and Katy Acheson (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TRUE CRIME &lt;/em&gt;by Donna de la Perriere (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SILENT PICTURES RECOGNIZE THE WORLD&lt;/em&gt;, poems by Wanda Phipps (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TAXIDANCING&lt;/em&gt;, poems by Paul Pines (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FREE FALL&lt;/em&gt; by Nick Piombino (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CROSSING THE WATER: TRANSITIONAL POEMS&lt;/em&gt; by Sylvia Plath (L)&lt;br /&gt;&lt;em&gt;THE RESTORED EDITION OF ARIEL &lt;/em&gt;by Sylvia Plath(L)&lt;br /&gt;&lt;em&gt;&lt;br /&gt;SAINT GHETTO OF THE LOANS &lt;/em&gt;by Gabriel Pomerand, Trans. by Michael Kasper &amp; Bhamati Viswanathan (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SHRUG &lt;/em&gt;by Nate Pritts (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CORPORATE GEESE&lt;/em&gt; by Christopher William Purdom (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ANON &lt;/em&gt;by Chris Pusateri (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EITHER SHE WAS&lt;/em&gt; by Karin Randolph (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE HOT GARMENT OF LOVE IS INSECURE &lt;/em&gt;by Elizabeth Reddin (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE COW&lt;/em&gt; by Ariana Reina (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EASTER SUNDAY&lt;/em&gt; by Barbara Jane Reyes (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FOX&lt;/em&gt; by Adrienne Rich (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE WARRIOR: A WOMAN'S STORY OF A SON AT WAR &lt;/em&gt;by Frances Richey (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SAVAGE MACHINERY&lt;/em&gt;, poems by Karen Rigby (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MARBLE GODDESSES WITH TECHNICOLOR SKINS &lt;/em&gt;by Corinne Robins (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;APOSTROPHE&lt;/em&gt; by Elizabeth Robinson (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LIKE THE RAINS COME: SELECTED POEMS (1987-2006)&lt;/em&gt; by Mercedes Roffe, Trans. by Janet Greenberg (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE FACE OF POETRY&lt;/em&gt;, Edited by Jack Rogow with photographs by Margaretta K. Mitchell&lt;br /&gt;&lt;br /&gt;&lt;em&gt;VERTIGO &lt;/em&gt;by Martha Ronk (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE SHORE&lt;/em&gt; by David St. John (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE MOVEABLE ONES &lt;/em&gt;by John Sakkis (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THERE'S THE HAND AND THERE'S THE ARID CHAIR&lt;/em&gt; by Tomaz Salamun (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HEART ON A TRIPOD&lt;/em&gt; by Kaia Sand (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;COMPLETE MINIMAL POEMS &lt;/em&gt;by Aram Saroyan (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE SILENCE NOW: NEW AND UNCOLLECTED EARLIER POEMS &lt;/em&gt; by May Sarton (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DEAR REGIME: LETTERS TO THE ISLAMIC REPUBLIC &lt;/em&gt;by Roger Sedarat (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FLUSH CONTOUR&lt;/em&gt;, visual poetry by Spencer Selby with an Introduction by Martin Edmonds (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE BOYS I BORROW&lt;/em&gt; by Heather Sellers (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;"BURNING INTERIORS": DAVID SHAPIRO'S POETRY AND POETICS&lt;/em&gt; Edited by Thomas Fink and Joseph Lease (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SHELLEY &lt;/em&gt; by Percy Bierce Shelley (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;POEMS &lt;/em&gt;by Philip Shelty with Images by Jim Long (Gallery)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE INLAND SEA &lt;/em&gt;by Brandon Shimoda (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SKIRT FULL OF BLACK&lt;/em&gt; by Sun Yung Shin (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NORWICH UNVEILED&lt;/em&gt;, poems by Bill Shute (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SELECTED WRITINGS&lt;/em&gt; by Cedar Sigo (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BODY CLOCK &lt;/em&gt;by Eleni Sikelianos (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AUNT LETTUCE: I WANT TO PEEK UNDER YOUR SKIRT&lt;/em&gt;, poems by Charles Simic with drawings by Howie Michele (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE SINGERS &lt;/em&gt;by Logan Ryan Smith (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TEAHOUSE OF THE ALMIGHTY&lt;/em&gt; by Patricia Smith (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NEGATIVE INVENTORY &lt;/em&gt;by Shannon Smith (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DANGER ON THE PEAKS&lt;/em&gt; by Gary Snyder (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CANARBOREALKNOTWORKHELPBLACKBURNOUTOFFFREGE'S ABYSS&lt;/em&gt; by Boyd Spahr&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE BEAUTIFUL DAYS&lt;/em&gt; by a.b. spellman (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HAPAX &lt;/em&gt;by A.E. Stalling (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DOG GIRL&lt;/em&gt;, poems by Heidi Lynn Staples (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MEM 4&lt;/em&gt;, anthology zine edited by Jill Stengel (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SECOND HAND COAT: POEMS NEW &amp; SELECTED &lt;/em&gt;by Ruth Stone (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;JOYFUL NOISE: AN ANTHOLOGY OF AMERICAN SPIRITUAL POETRY&lt;/em&gt;, edited by Robert&lt;br /&gt;Strong &lt;br /&gt;&lt;br /&gt;&lt;em&gt;ARRANGING THE BLAZE&lt;/em&gt; by Chad Sweeney (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HUMAN CATHEDRALS &lt;/em&gt;by John Sweet (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MAGDALENE &amp; THE MERMAIDS&lt;/em&gt; by Elizabeth Kate Switaj (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FIRE IS FAVORABLE TO THE DREAMER &lt;/em&gt;by Susan Terris&lt;br /&gt;&lt;br /&gt;&lt;em&gt;20/20 YIELDING&lt;/em&gt;, poems by Sunnylyn Thibodeaux (GR)&lt;br /&gt;&lt;em&gt;LAST WE SPOKE&lt;/em&gt; by Sunnlyn Thibodeaux (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A CONCISE BIOGRAPHY OF SIN&lt;/em&gt; by John Samuel Tieman (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ODE TO PUMPSIE GREEN &amp; STRETCH PHILLIPS&lt;/em&gt;, poems by Adam Tobin (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SHADOWED TRUTH &lt;/em&gt;by Andrew Topel &amp; Jim Leftwich (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WINTER JOURNEY&lt;/em&gt; by Tony Towle&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WARDOLLY &lt;/em&gt;by Elizabeth Treadwell (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BIRDS AND FANCIES &lt;/em&gt;by Elizabeth Treadwell (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CORNSTARCH FIGURINE &lt;/em&gt;by Elizabeth Treadwell (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LATE TO WORK&lt;/em&gt;, poems by David Tucker (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DOOR IN THE MOUNTAIN: New and Collected Poems 1965-2003&lt;/em&gt; by Jean Valentine (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DEFENSELESS WATERS&lt;/em&gt; by Francisca Valenzuela (S)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DUMMY FIRE &lt;/em&gt;by Sarah Vap (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DIPTYCHS: VISUAL POEMS &lt;/em&gt;by Nico Vassilakis (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;OVERNIGHT &lt;/em&gt;by Paul Violi&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SMUDGING &lt;/em&gt; by Diane Wakoski (L) &lt;em&gt;(a revelation: nifty book)&lt;/em&gt;&lt;br /&gt;&lt;em&gt;THE BUTLER'S APRON: NEW AND SELECTED POEMS &lt;/em&gt;by Diane Wakoski (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE BOUNTY&lt;/em&gt; by Derek Walcott (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PLAY &lt;/em&gt;by Liz Waldner (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE AMPUTEE'S GUIDE TO SEX&lt;/em&gt; by Jillian Weise (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HEATHEN &lt;/em&gt;by Lesley Wheeler (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IGNOBLE TRUTHS&lt;/em&gt; by Gail White (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TANSEN DONNER: A WOMAN'S JOURNEY&lt;/em&gt; by Ruth Whitman (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE MUSE OF DISTANCE&lt;/em&gt; by Alan Williamson (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CLEAR ALL THE REST OF THE WAY: NEW AND SELECTED POEMS 1987-2007 &lt;/em&gt;by Warren Woessner (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE NAME POEMS &lt;/em&gt;by Jeffrey Cyphers Wright (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;INDIAN TRAINS &lt;/em&gt;by Erika T. Wurth (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE PRESENT WORK&lt;/em&gt; by Matvei Yankelevich (GR)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;OTHERS:&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;THE ZOOKEEPER'S WIFE: A WAR STORY&lt;/em&gt;, novel by Diane Ackerman (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;GATHER TOGETHER IN MY NAME&lt;/em&gt;, autobiography by Maya Angelou (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MOTHER MONTAGE &lt;/em&gt;by Dodie Bellamy (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LANDSCAPES OF DISSENT: GUERRILLA POETRY &amp; PUBLIC SPACE &lt;/em&gt;by Jules Boykoff and Kaia Sand (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FLOOR SAMPLE&lt;/em&gt;, memoir by Julia Cameron&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DOG YEARS&lt;/em&gt;, memoir by Mark Doty (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A FAITHFUL EXISTENCE: READING, MEMORY AND TRANSCENDENCE&lt;/em&gt;, poetry essays by Forrest Gander (B)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AS A FRIEND&lt;/em&gt;, novel by Forrest Gander (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;I CELEBRATE MYSELF: THE SOMEWHAT PRIVATE LIFE OF ALLEN GINSBERG&lt;/em&gt;, biography by Bill Morgan&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE GREAT FAILURE: A Bartender, A Monk, and My Unlikely Path to Truth&lt;/em&gt; by Natalie Goldberg (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CROSSING VINES&lt;/em&gt;, novel by Rigoberto Gonzalez (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE PRACTICE OF HOME: BIOGRAPHY OF A HOUSE&lt;/em&gt;, memoir by Charles Goodrich&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE JUROR&lt;/em&gt;, novel by George Dawes Green (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WOMEN POETS ON MENTORSHIP: EFFORTS &amp;AFFECTIONS&lt;/em&gt;, Edited by Arielle Greenberg &amp; Rachel Zucker&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THEIR ANCIENT GLITTERING EYES: REMEMBERING POETS AND MORE POETS (Robert Frost, Dylan Thomas, T.S. Eliot, Marianne Moore, Archibald MacLeish, Yvor Winters and Ezra Pound), &lt;/em&gt;memoir by Donald Hall&lt;br /&gt;&lt;br /&gt;&lt;em&gt;dog&lt;/em&gt;, novel by Michelle Herman (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE LEGACY OF LUNA: THE STORY OF A TREE, A WOMAN AND THE STRUGGLE TO SAVE THE REDWOOD&lt;/em&gt;, memoir by Julia Butterfly Hill&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE WINTER SUN: NOTES ON A VOCATION&lt;/em&gt;, poetry/memoir by Fanny Howe (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SEDUCING THE DEMON: WRITING FOR MY LIFE&lt;/em&gt;, memoir by Erica Jong (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TO BE THE POET&lt;/em&gt; by Maxine Hong Kingston (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ALWAYS BEGINNING: ESSAYS ON A LIFE IN POETRY &lt;/em&gt;by Maxine Kumin&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE THEORY OF EVERYTHING&lt;/em&gt;, artist's book by Ben Luzzato (GR)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;GAP CREEK&lt;/em&gt;, novel by Robert Morgan (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Playing in the Dark: Whiteness and the Literary Imagination &lt;/em&gt;by Toni Morrison&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE LANGUAGE OF LIFE: A Festival of Poetry&lt;/em&gt; edited by Bill Moyer (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CHINESE TAKEOUT&lt;/em&gt;, novel by Arthur Nersesian&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE VIRGIN OF BENNINGTON&lt;/em&gt;, memoir by Kathleen Norris (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Giving Their Word: Conversations With Contemporary Poets &lt;/em&gt;(Stafford, Oliver, Montague, Simic, Heaney, Hall, Kumin, Forche, Espada, Piercy, Dove, Dao), edited by Steven Ratiner (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ARTS OF THE POSSIBLE &lt;/em&gt; by Adrienne Rich (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EMERSON: The Mind on Fire &lt;/em&gt; by Robert D. Richardson, Jr. (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LOVE WALKED IN&lt;/em&gt;, novel by Marisa de los Santos (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;February House: The Story of W.H. Auden, Carson McCullers, Jane and Paul Bowles, Benjamin Britten, and Gypsy Rose Lee, Under One Roof in Wartime America&lt;/em&gt; by Sherill Tippins (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ARIEL'S GIFT: Ted Hughes, Sylvia Plath and the Story of Birthday Letters &lt;/em&gt;by Erica Wagner (L)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BEATS OF NAROPA &lt;/em&gt;edited by Anne Waldman and Laura Wright (gr)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LIVING BY THE WORD: SELECTED WRITINGS 1973-1987&lt;/em&gt; by Alice Walker&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ANYTHING WE LOVE CAN BE SAVED: A WRITER'S ACTIVISM &lt;/em&gt;by Alice Walker&lt;em&gt;&lt;/em&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/19445495-113333854908367982?l=morepoetryread.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://morepoetryread.blogspot.com/feeds/113333854908367982/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=19445495&amp;postID=113333854908367982' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/19445495/posts/default/113333854908367982'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/19445495/posts/default/113333854908367982'/><link rel='alternate' type='text/html' href='http://morepoetryread.blogspot.com/2007/02/continuously-updated-list.html' title='CONTINUOUSLY-UPDATED LIST'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry></feed>
